Trophy Wine Show

May 31, 2012 in Uncategorized

While some may scoff at the notion of dishing out trophies for wines, it’s all jolly good fun and provides cork dorks with another wine debate. Lunch was also pretty damn good considering the number of people, although it was held at the Mt Nelson. Howard Booysen’s Pegasus (Cinsault) 2011 was one of the (random) wines most enjoyed at our table – it had a touch of Chateau Rayas about it, probably the texture.

Other highlights of the show include Eikendal nearly stealing it, KWV actually winning (their star continues to rise), Jordan in the mix again, and Ultra Liquors setting new standards in value for money. Their Secret Cellar 2011 Sauvignon Blanc at ZAR25.99 received gold and the Old Mutual Discovery of the Show award.

 

The Trophy is awarded to the Gold Medallist whose final score – at the trophy judging – divided by its declared price on the entry form, yields the highest index (adjusted for category). In short, it is an award for the best value Gold Medal wine, and this year may indeed have yielded the best value index in the history of the show.

 

The award of not one but two Gold medals in the Méthode Cap Classique category is a first in the history of the show. The Villiera Woolworths Vintage Reserve Brut 2007 took the Trophy, and the Du Preez Estate’s Hendrik Lodewyk MCC NV, the other Gold.

 

KWV’s top results came from winning the Miele Trophy for Best Chardonnay, the Best White Wine Trophy, as well as the Trophy for the Best Museum Class Fortified. In addition KWV SA collected 10 Silver and 16 Bronze medals.

 

Eikendal won the Old Mutual Trophy for the Best Red Wine, the Riedel Trophy for the Best Bordeaux-style Red Blend and a Gold Medal for its Chardonnay. Jordan won the American Express Trophy for the Best Cabernet Sauvignon and the Best Chenin Blanc Museum Class Trophy; and Vergelegen swept up two Sauvignon Blanc Semillon Blend Trophies – one for the Museum Class.

 

The newly named Tony Mossop Trophy for the Best Cape Port – which recognises the role played by the late Tony Mossop in developing the Cape Port industry – was awarded to Mike Neebe, a shareholder of the property formerly owned by Tony Mossop, for the Axe Hill Cape Vintage 2009.

 

The Harold Eedes Trophy for the Show’s Best Chenin Blanc went to Tokara’s Miles Mossop for the Tokara Chenin Blanc 2009. Like Tony Mossop, the late Harold Eedes was an iconic figure in the Cape wine industry – the founder of Wine Magazine and a driving force behind the improvement in wine quality which this year’s Show results celebrate.

 

Trophy Winners

The Fairbairn Capital Trophy for the Most Successful Producer: KWV SA

The Old Mutual Trophy for Best Red Wine: Eikendal Classique 2009

The Old Mutual Trophy for Best White Wine: KWV The Mentors Chardonnay 2011

The Old Mutual International Judges’ Trophy: De Grendel Shiraz 2010

The Old Mutual Trophy for Best Sparkling Wine (Méthode Cap Classique): Villiera Woolworths Vintage Reserve Brut 2007

The Old Mutual Trophy for Best Dessert Wine (unfortified): Delheim Edelspatz Noble Late Harvest 2011

The Old Mutual Discovery of the Show: Secret Cellar Sauvignon Blanc 2011 (Ultra Liquors)

The American Express Trophy for Best Cabernet Sauvignon: Jordan Cabernet Sauvignon 2009

The British Airways Comair Trophy for Best Shiraz: Painted Wolf Shiraz 2009

The Grande Roche Trophy for Best White Blend: Thelema Sutherland Viognier Roussanne 2009

The Harold Eedes Trophy for Best Chenin Blanc: Tokara Chenin Blanc 2009

The Miele Trophy for Best Chardonnay: KWV The Mentors Chardonnay 2011

The Riedel Trophy for Best Bordeaux-style Red Blend: Eikendal Classique 2009

The Tony Mossop Trophy for Best Cape Port: Axe Hill Cape Vintage 2009

The Best Museum Class Chenin Blanc: Jordan Chenin Blanc 2007

The Best Merlot: La Bri Merlot 2010

The Best Pinotage: Rijk’s Private Cellar Pinotage 2008

The Best Pinot Noir: Chamonix Pinot Noir Reserve 2010

The Best Sauvignon Blanc (wooded): Nederburg Two Centuries Sauvignon Blanc 2009

The Best Sauvignon Blanc (unwooded): Kleine Zalze Family Reserve Sauvignon Blanc 2010

The Best Sauvignon Blanc Semillon Blend: Vergelegen GVB 2010

The Best Museum Class Sauvignon Blanc Semillon Blend: Vergelegen 2007

The Best Semillon: Ormonde Ondine Semillon 2010

The Best Museum Class Semillon: Cape Point Vineyards Semillon 2008

The Best Museum Class White Blend: Lomond Snowbush 2008

The Best Museum Class Fortified Wine: KWV Reserve Port 1929

For the other winners click here

And the Wine Jumped Over the Moon IV

May 29, 2012 in Uncategorized

We arrived on day I in ignorance, leaning toward scepticism and left on day IV (if not day III, root) as bristling ambassadors of the notion that the biodynamic calendar’s fruit, leaf, root and flower days have a profound affect on the style AND quality of Avondale’s Bio-logic (biodynamic) wines. (for background see previous numbered posts with same title)

While there was strong consensus on the panel regarding how the wines changed on the respective days, the comments below – as more  detailed evidence – are mostly my own observations:

* The fruit day amplified the fruit to the extent the wines were – in hindsight – less complex, exposing some alcohol heat. I was expecting this to be the best day.

* Even the mousse of the Armilla MCC changed on the leaf day with less apple notes while displaying only tertiary notes on the root day, with softer mouse. Vitality returned on the flower day along with sherbet and chalk/lime notes.This wine probably the most consistent performer and left me wondering if the internal pressure made it more resistant to luna cycles.

* The leaf day was better for the La Luna (06 Bdx blend) while the flower day for the Samsara (06 Shiraz) both gaining heightened balance, length, intensity and complexity on their respective days. La Luna gained a long savoury finish on the leaf day while Samsara complexity, brilliant fruit and freshness on the flower day.

* With the exception of possibly the La Luna, the best day across the board was the flower day (day 4) giving the wines great freshness, intensity and fruit definition.

* After showing primary fruit on day I (fruit day) The Anima (09 Chenin Blanc) gained steeliness on the palate and wet wool on the nose on the leaf day, while on the root day an acetic/spray paint note appeared while the palate lost acidity. On the flower day a different wine appeared showing stone fruit and pears, oat notes and steeliness returned, almost chardonnay-like.

* After primary fruit on day one, the Cyclus (09 Viognier dominated blend inc Chenin) on the leaf day showed more tertiary notes but lacked the vibrancy of the fruit day, while on the root day a hint of acetic/spray paint appeared like the Chenin, and the fruit more like dried tropical fruit inc banana and mango with shorter finish. On the flower day the wine was not a far cry from Condrieu with peach and pepper/spice intensity and a lingering finish – all the wines showed much greater intensity on the flower day.

* After the primary fruit and pepper of day I, the Samsara (Shiraz) graphite notes appeared on the nose on the leaf day while on the root day tannins became a touch angular, and the nose suddenly showed sappiness and stewed fruit absent on the first 2 days. However on the flower day, this wine stole the show with bright fruit, spice and meaty notes and juicy palate in one great BLIC – balance, length, intensity and complexity.

 

 

* La Luna showed classical cassis on the fruit day followed by dare I say leafiness on the leaf day with touch more evidence of the oaking regime while on the root day green notes appeared in the form of eucalyptus. The tannin was also more evident and mouth coating. On the flower day, it was sweet fruited and I think this is the exception to the rule that they were all better on the last day as the leaf day probably edged it with is savoury complexity and lengthy finish.

* The Camissa (2011 Muscat and Mourvèdre blanc de noir) appeared to be the most vulnerable to the Luna mood, showing potpourri and rose oil and frisky acidity on the fruit day, to Turkish delight on the leaf day, soap- and flabbiness on the root day, only to sing again on the flower day, maybe strongest evidence of the influence of each day.

It was a compelling and fascinating exercise, wineries should seriously consider closing their tasting rooms on root days and wine lovers should get a biodynamic calendar fast for the best days to open those special bottles. However, it’s not going to stop this writer drinking on root days.

The group intends to do the same exercise with conventional wines, while Platter’s and Avondale are planning a repeat with a different panel.

You can find the calendar here

See also my first post with the same title for more background to the calendar and the theory.

link to my blog

And the Wine Jumped Over the Moon III

May 26, 2012 in Uncategorized

Day III revealed the most compelling evidence yet that the luna cycle can have a dramatic affect on wine. While day II revealed style differences, day III revealed quality differences.

Some wines lost acidity to point of flabbiness and tannins become less rounded while fruit was suppresed accross the board.  Once again the panel agreement was just about unanimous, differing only on a few stylistic points. Root day?

The panel felt it might be a good idea that wineries consider closing their tasting rooms on such days.

Report on final tasting and wrap up to follow

 

 

And the Wine Jumped Over the Moon II

May 18, 2012 in Uncategorized

Day 2 stunned the panel because the wines were so different. Gone was Monday’s primary fruit exuberance to be replaced with more developed or tertiary aromas on the whites and more savoury notes on the reds. (the wines could not have developed that much in 48hrs).

The Chenin gained a steely edge, the La Luna (red blend) gained more length and complexity, the MCC showed more leesy character, the Blanc de Noir showed more turkish delight than Mondays Pot Pourri etc.

This writer was convinced and proposed that the next tasting was cancelled so that we could proceed directly to the dinner on 24 May;-)

For background see And The Wine Jumped Over the Moon on this site.

For pictorial see http://huntergatherervintner.blogspot.com/

The twitter hashtag is #lunatastetest, you can also follow me wholebunchpress

And the Wine Jumped Over the Moon

May 17, 2012 in Uncategorized

While I have tasted wine that has inspired me to howl in delight (and derision), can the moon and the stars affect (and effect) our enjoyment of wine? Along with some other writers*, I am participating in an experiment with organic producer Avondale where we are tasting their wines over a series of ‘fruit’, ‘leaf’, ‘flower’, and ‘root’ days in accordance with a biodynamic lunar calendar.

Avondale's snail control patrol disembarking from the duckmobile

The assumption is that these lunar calendar days affect the wine and/or our perception of wine. The moon’s,  (and other celestial bodies) affect on a number of natural phenomena is well documented including ocean currents and tides, movement of plant sap and generally having a significant (gravitational) affect on many earthly fluids. After all, we are mere ‘bags of hairy soup’ as zoologist and author Desmond Morris once said, or at least I think it was him.
Sociologists will tell you that crime and violence increase at fall moon and more babies are conceived during a waxing moon – and perhaps a little more wine is drunk. The challenge to make the results of such a test compelling is that there are so many vagaries including atmospheric pressure, our bio-rhythms, the wines evolution in bottle (and glass, making it a moving target) and then mood, setting, company, temperature etc, can all have an effect.
Wine is considered a ‘living’ entity in that there are ongoing – mostly organic chemistry – processes that occur during maturation and while in glass when exposed to more oxygen, for example.
Leading UK retailers like Marks & Spencer and Tesco (with their armies of MWs, wine technicians, wine buyers etc) appear to have seen and heard enough evidence to make them consult the lunar calendar when scheduling their tastings.
M&S’s resident winemaker Jo Ahearne MW says that ‘on fruit days, the aromatics in the whites are more present and the tannins in the reds are suppler; on a root day, the fruit flavour is muted and the tannins are harsher.’
German-born Maria Thun and her son Matthias believe the answer lies in the moon. Maria has gardened all her life and is an authority on biodynamics; she publishes an annual biodynamic sowing and planting calendar translated into 18 languages to advise gardeners on when to carry out their chores.
Based on more than 55 years of biodynamic research and experimentation, she has now published a biodynamic calendar (2010 was the first) for wine drinkers, advising when wines are likely to be at their best. The theory is that fruit and flower days would be more beneficial to wine-tasting, while leaf, and especially root days would be less auspicious.*Avondale proprietor Johnathan Grieve, winewriter and educator Cathy Marston, sommelier Higgo Jacobs, bloggers Hennie Coetzee and Maggie Mostert, Wine Extra editor Maryna Strachan and Platter’s editor Philip van Zyl.

As for day 1, it seems we all felt it was a fruit day. We will be tasting throughout May and results will be published here and on John Platter’s and Avondale’s website.

There was wide consensus among the panel on day 2 (yesterday) that the wines were showing less primary fruit, more tertiary fruit and whites seemed a touch steely while the reds more savoury. The sparkling wine (MCC) was more leesy,  the mouse more aggressive – the panel was stunned by the difference from 2 days previous!

Next tasting is on 22 May, final on 24 May.

The twitter hashtag lunatastetest.

 

Italian Job

March 7, 2012 in italian varieties

So you’ve got the Mini Cooper with the beefed up suspension, now you need a hit list – Signori Barbera, Sangiovese, Nebbiolo, Primitivo, capice? Italian wine varieties are putting out contracts in the Cape and it’s no surprise that Italian owners are making some of the best hits.

Take Morgenster for example, owner Giulio Bertrand made winemaker Henry Kotze an offer he could not refuse so he now makes such a delicious Sangiovese called Tosca you would think his life depended on it – it’s in the Super Tuscan* style with a touch of Cabernet Sauvignon and Cabernet Franc.

Constania winery Steenberg are among the SA pioneers of Nebbiolo, the grape behind Italy’s powerful Barolo wines, classically described as having tar (intensity) and roses on the nose after some bottle age. Steenberg’s style is more modern with sour cherry notes but with typical tannic, food-friendly structure.

Morgenster also do Nabucco, a Nebbiolo-based blend and a dry Sangiovese Rose with tangy cherry notes called Caruso in keeping with their operatic theme. These wines have a classic savoury edge which makes them easy to pair with nutrimento including the Rose with fare un picnic – Prizzi’s Honour style.

There is a growing school of thought in the Cape that – like in much of the old world – blending is the way to go. Hannibal, a Super Tuscan style from Bouchard Finlayson recently garnered a rare 5 star in the 2012 Platter wine guide for the 2010 vintage. This wine is Sangiovese-dominant but also has some Pinot Noir, Nebbiolo, Mourvedré, Barbera and Shiraz in the extended famiglia.

Nederburg have also gone the blend route with their Ingenuity Red which also managed a high five for their 07 vintage in the 2011 Platter guide. Here cellar master Razvan Macici has done a perfetto blend of Sangiovese, Barbera and Nebbiolo.

Alberto and Valerie Bottega own Da Capo vineyards on wind-swept Sir Lowry’s Pass where their Idiom Wines include Nebbiolo, Barbera, Sangiovese and Primitivo (Zinfandel).  These are modern in style, showing more opulenza and maturo with prices and packaging to match.

Durbanville producer Altydgedacht have been refining Piedmontese variety Barbera for some time now as the SA pioneer of the variety while boutique-sized newcomer Hofstraat received 4,5 stars from Platter for their ripe, black cherry style 2009 vintage.

Paarl cheese and wine producer Fairview – famous for their play on goats in their marketing campaign – produce the Goatfather, a blend of French varieties with Barbera, and Primitivo for a dark-toned, white pepper-nuanced experience. Share with those you trust says Signor Back.

If your preferred Italian flavour is organic, BEE, ethical and oxymoronic, lookout out for a Sangiovese from Tukulu, a venture between JSE-listed Distell, a Gauteng-based consortium of black entrepreneurs and the farm’s workers. This one is rustico with cherry and liquorice notes and also good with food.

If you are on the hunt for buon mercato look out for Merwida Barbera, Du Toitskloof Nebbiolo and Koelenhof Sangiovese as these represent particularly good value from former co-operatives.

There are not many to track down on the white front.  Pinot Grigio has risen to popularity in the UK and elsewhere.  Here Anthonij Rupert’s is bene noto but Durbanville’s De Grendel 2011 has more assetto. Nederburg 2011 is the highest rated Pinot Grigio in the 2012 Platter Guide followed by the 2010 Township Winery vintage from Dido.

Graham Knox is behind the Matriarch Project (working-class women from Philippi, Nyanga and Gugulethu) who, with business activist Kate Jambela, British groups Virgin Wines and Wine Fusion, created the Township Winery in Philippi.

Ripasso is a wine making technique used by the Italians to enrich musts where young wines are fermented on the post-ferment skins of dried grape styles like Amarone. Franschhoek’s Chamonix has used this technique to great effect on their Pinotage to produce a rich yet accessible style.

Also see my post about Glen Carlou’s 2009 Zinfandel

my wine tasting tours

*When Tuscans first started blending international with indigenous varieties they fell foul of Italian bureaucracy which saw these top quality wines fall into the ordinary vino da tavalo classification and became known as Super Tuscans

Jonathan Snashall

SABREUR!

March 3, 2012 in Uncategorized

“I drink it when I’m happy and when I’m sad. Sometimes, I drink it when I’m alone. When I have company I consider it obligatory. I trifle with it if I’m not hungry and drink it if I am; otherwise I never touch it – unless I’m thirsty.” Madame Bollinger, one of the Grande Dames of French champagne (1884-1977).

Exactly, why wait for special occasions to enjoy the most enthralling of beverages. And why care when only Champagne from Champagne can be called Champagne when we have our very own Méthode Champagnois in Cap Classique (MCC)?

If you go according to the price of Champagne alone, they are simply not that much better than ours and in fact some Champagne houses clearly exploit their protected provenance by overcharging for vin ordinaire. Of course great Champagne is non-parallel Monsieur.

Besides tasting the stars, there are a number of things that make MCC special. During sur lie (in-bottle maturation on spent yeast cells known as lees) charged ions accumulate, which then deliver aphrodisiac-like qualities when quaffed. Now if this makes you pucker up for a kiss but nobody (suitable) is within range, temptation will rise with the release of pheromones around the lips when you pucker up for a sip from a flute.

That giddy and glazed feeling is also amplified by how quickly the alcohol gets into your bloodstream because the CO2 (carbon dioxide) in the wine accelerates absorption – especially on an empty stomach. Be careful of who you’re standing next to at the office party and designate the driver early.

In the absence of somebody to kiss, you might just be tempted by some Sabrage. Make sure the bottle is well chilled in the fridge (7-8°C) as you also want the neck chilled (or once chilled in a bucket, give it a couple of minutes up side down).

Remove the foil to reveal the cork (bouchon) and wire basket (muselet). Carefully remove the muselet, leaving the bouchon intact. Next, find one of the two seams along the side of the bottle nearest the glass lip just below the mouth.

With your arm extended, hold the bottle firmly (seam up) by placing the thumb inside the punt at the base of the bottle with the neck about 30° from horizontal. Make sure no one is in your line of fire, then reach for your Saber.

Now, calmly lay the Saber flat along the seam of the bottle with the back edge (either side works as well) ready to slide firmly at the glass ring at the top. The movement does not have to be done with great speed or firmness as the snapping of the glass is aided by the internal pressure of the bottle, so that the cork and glass ring fly off with one stroke of the sword.

If your Saber is not at hand you can substitute with a larger chef’s knife or even a solid metal egg flip, some even use a teaspoon. The internal pressure also ensures that no glass falls into the bottle.  Congratulations you are now a Sabreur!

Some producers like Pongracz and Villiera also produce a 375ml MCC which might be a bit small for Sabrage but they can be handy for picnics, breakfast, brunch, lunch, sundowners, dinner and a nightcap. They also fit into handbags for the movies or theatre.

Jonathan Snashall

you tube sabrage

my blog

my wine tasting tours

*Dosage – proprietary mix of grape concentrate, base wine, maybe even a touch of brandy, used to top up bubbly when they are disgorged (crown cap removed, sediment ejected and corked).

 

quick & easy MFM

May 23, 2011 in Uncategorized

 

This is an assemble-as-you-go/deconstructed muchroom lasagne. It’s quick and easy to slap up a single portion for those strict adherents to meat-free Mondays while Mondayless carnivores can use the filling as a sauce over their steak.

 

 

Lasagne sheets as required
A good knob of butter
1 large shallot, peeled, halved and finely chopped
1 clove of garlic, peeled and crushed (extra clove of garlic if using everyday onions as sub for shallot)
150-200g mixed mushrooms, sliced
120-150ml double cream
1tbsp freshly grated Parmesan
tbsp chopped flat-leaf parsley
Salt and freshly ground black pepper

 

Melt the butter in a saucepan and gently cook the shallots and garlic for few minutes, add the mushrooms and cook with a lid on for a couple of minutes, stirring occasionally until they begin to soften.

 

Add the cream, season and simmer for a few minutes until the cream thickens. Stir in the Parmesan and parsley. There should be a good amount of sauce to coat the mushrooms; if not, add a little more cream and simmer again.

 

Meanwhile, cook the lasagne sheets in boiling salted water according to the cooking instructions; drain. To serve, lay a sheet of lasagne on a warm serving plate, spoon over the mushrooms, reserving a spoonful of the sauce. If you wish, you can lay a second layer of lasagne and spoon the rest of the sauce on top.

 

Pair with Pepin Conde Pinot Noir 2010 – this is the best value for money Pinot in the country and a brilliant foil for the shrooms.

From Stark-Conde in Jonkershoek (Elgin fruit)

 

Jonathan Snashall

http://huntergatherervintner.blogspot.com/

Ode to Pinot Noir

May 11, 2011 in Uncategorized

Pinot Noir is both minx and manure, a supreme psychological manipulator, she will cagoule you with haunting aromas and silky textures. Once she touches your lips you are Samson with short back and sides and qualify for a complimentary life membership at Pinot Noir Anonymous (PNAS, or bi´na´is).

Or not, for some of her synonyms include widow maker and heart breaker. Her schizo side can reveal an acidic, shallow vixen sans backbone or colour. But she will beguile you and you will forever seek her once she indulges you with her ethereal, ancient charms.

But why? After some bottle age, the Pinot X-factor emerges, that something that makes you want to go back to the glass again and again to pin down those elusive characters. That ever so faint whiff of forest floor, farmyard, or mushroomy aromas that – with some red or black berry notes – appeals to higher and base instincts, hijacking at once both the primordial amygdala and the evolved frontal cortex. You are now truly under her spell, you pass orgasm and go directly to post-coital bliss.

                                                                                                    bit shy

Pinot Noir is a fragile, thin skinned variety but commercially is known to have a far tougher skin. With PNAS members driving prices up worldwide, the best examples are often Burgundian, where prices can be so stratospheric that families can make a living from a few rows of vines – literally.

And prices – like the terroir* in Burgundy – can vary dramatically from one vineyard and even one row to the next. Combined with the vagaries of Burgundy’s more continental weather and convoluted AOC (Appellation d’Origine Contrôlée) rules it all makes for prime exploitation of prices and markets.

It’s the Champagne syndrome – giddiness and glaze all rolled into one. Just as you get nasty, yet over-priced examples of Champagne because only Champagne from Champagne may be called Champagne, so to you may pay a not inconsiderable sum of money for a Burgundy – expecting Ella Fitzgerald but ending up with PJ Powers. #nothappy.

Also – despite some 700 years of practice in Burgundy – nobody really knows quite how to keep Pinot on her best behaviour although quality in the Old world has increased since the 90’s, not least from technology and a warmer climate.

But her skittishness is in her genes. As one of the oldest cultivated vines in existence she suffers extreme genetic instability (as do other Vitis Viniferas). The dysfunctional Pinot family (Noir, Blanc and Gris) are – down to their DNA – the same grape but prone to constant genetic mutation. Not scared yet?

It also means that Pinot can adapt well to local conditions and new world wine makers who have stepped out of Burgundy’s shadow are making some delicious Pinot. Trial and error have enabled growers worldwide to workout which clones best suite their particular site.

This is where they start to sound like über models on a runway. The most productive clones, which have large-berried bunches, are described as Pinot Droit for the vine’s upright growth, while Pinot Fin, Pinot Tordu or Pinot Classique grow much less regularly but have smaller berries with thicker skin. The latter normally leads to more flavours, colour and aromas in wine.

But you still have to treat her right. Her sensitive traits make her vulnerable to pests and disease. Her precocious nature makes for early budding which is prone to frost and poor fruit set or coulure – not very haute.  Pinot is also more prone to rot and viruses.

She is also particular about where she lives, her preferred terroir* is limestone soil in a cool climate. Then Pinot is far more difficult to vinify than her other famous Burgundian sibling Chardonnay, requiring constant monitoring and fine tuning of technique depending on vintage circumstances.

Pinot Noir’s other home is Champagne – where else? Here she is required to go au naturale, whole bunch pressed to strip her of any colour but she manages to display her characteristic red berry aromas and lushness of palate.

Another of her hidden charms is Resveratrol – the phenolic compound found in red wine with proven health benefits – for the heart of course – and is 3 to 4 times higher in Pinot Noir than most other red varieties. This fortification of the heart is just the medicine required to deal with her capricious nature.

Pinot Noir can range from deeply coloured, tannic, oak-aged mouthfuls worthy of cellaring – no whips or chains please – to acidic dark rosés that should be drunk, drunk. The best are intense, vibrant, fruity wines with elegant structure (fine tannin, lively acidity) and subtle oak influence.

I made an exciting discovery in Jonkershoek last weekend – I found a Pinot Noir at Stark-Conde for under R100 that knocks the broeks off many a villages level Pinot. It’s the 2010 Pepin Conde made by Jose Conde from Elgin fruit. It was bottled recently so if you have the discipline try give it some time for improved oak integration, just make sure you get some its fantastic value for money.

*Terroir – the total natural environment, for e.g. how the combination of soil, topography and climate influences wine quality and style. See http://huntergatherervintner.blogspot.com/2010/08/saignee-spinning-cones-and-terroirists.html   

Jonathan Snashall

Ossobuco in Bianco

April 28, 2011 in Uncategorized

As far as I can remember, winter in the Cape arrives around Easter weekend – regardless of where it falls in any particular year – and there is often snow on the mountains of Franschhoek.

All of a sardine you are craving rich stews & casseroles as the instinct to fatten up is activated.  This recipe omits the more traditional tomatoes and includes anchovies – one of my favourite secret ingredients – and white wine rather than red.

Veal shin is preferred but beef shin works fine, just a bit more glutinous and robust. The Gremolata garnish is the best and almost as inspirational as the rich savouriness of the dish.

8 pieces of veal shin, thickly sliced for bone marrow and some height on the plate.

75g plain flour; salt & pepper; 120g butter; 2 Tbsp butter, 2 peeled and finely chopped small red onions, 4-5 trimmed celery stalks for extra Umami, 2 peeled and chopped garlic cloves, 10 anchovies rinsed if salted, ideally red in colour, 375ml dry white wine preferably unoaked.

Preheat oven to 150°C. Put the flour in a plastic shopping bag with some salt and cracked pepper to dust the shin rather than yourself and the rest of the kitchen.

If you don’t have a casserole that can handle hob and oven, first brown the veal in a pot relay fashion. Melt all the butter and half the olive oil in a large heavy-bottomed pot/casserole and brown the Ossobuco. Remove and pour away the fat. Add the remaining butter and gently fry the onion and celery until soft but not brown – lid on for a bit helps. Then add the garlic and anchovies, once they melt away pour in the wine, bring to the boil and reduce.

Put the Ossobuco back into the casserole, ideally in one layer with the narrower section of the bone in each piece at the bottom to keep the marrow in place. Cover with wax paper and the lid and casserole for at least 2 hours.

While it’s in the oven make the most aromatic and zesty Gremolata. Mix finely grated zest of 2 lemons, 1 peeled & finely chopped garlic clove, and 3 Tbsp chopped flat leaf parsley and sprinkle over the cooked Ossobuco.

If you want to push the boat out serve it with Risotto Milanese.

1 litre chicken stock – if you’re using instant dilute more than instructions recommend as they can be salty. S&P, 150g butter, 2 Tbsp olive oil, 1 finely chopped red onion, 300g risotto (fino cooks quicker),1 Tbsp saffron, 75ml extra dry vermouth or dry white wine, 150g Parmesan.

Melt 75g of the butter and all the olive oil in a large heavy-bottomed pot and gently fry the onion until soft. Add the rice stirring to coat before adding 1-2 ladlefuls of hot stock to cover the rice, simmer and stir until it starts getting sticky. Add the saffron.  Continue stirring and adding more stock as required until al dente.

Add the remaining butter in small pieces while stirring vigorously off the heat, then the vermouth – which cuts the starch beautifully – and finally the parmesan with a few light stirs so it does not go stringy.

While robust, this is a lighter style Ossobuco so maybe avoid full bodied, heavily oaked reds. Besides a Pinot or Zinfandel try a rich, oaked Chardonnay. Its an enormously satisfying meal and definitely one of my top 5 winter meals. Buon Appetito!

Jonathan Snashall

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